untitled (The Big and the Bad; commemorative slab at Museo Archeologico Nazionale, Bologna) Artworksuntitled (The Big and the Bad; commemorative slab at Museo Archeologico Nazionale, Bologna)2002
untitled (THE ASS RUBS THE ASS; commemorative fragment at Museo Archeologico Nazionale di Napoli) Artworksuntitled (THE ASS RUBS THE ASS; commemorative fragment at Museo Archeologico Nazionale di Napoli)2002
“Kunst Digest,” Architectural Digest (Germany) Publications“Kunst Digest,” Architectural Digest (Germany)2009
untitled (George W. Bush quote, September 13, 2001; funerary slab at Franciscan cloister, Dbrovnik, Croatia) Artworksuntitled (George W. Bush quote, September 13, 2001; funerary slab at Franciscan cloister, Dbrovnik, Croatia)2001
Black Mountain College Survey: All the Serial Commas, Three Misspellings, and a Possessive ArtworksBlack Mountain College Survey: All the Serial Commas, Three Misspellings, and a Possessive2021
Delineating the Lineaments of Gratified Desire PublicationsDelineating the Lineaments of Gratified Desire2004
“The Word” reviewed in San Jose Mercury News Publications“The Word” reviewed in San Jose Mercury NewsFebruary 14, 1990
“(Meant to be) Lost and Found” in Mission at Tenth Publications“(Meant to be) Lost and Found” in Mission at Tenth2012
Library of Congress Copyright Refusal Letter ArtworksLibrary of Congress Copyright Refusal Letter2009
Artist’s Bedroom Nonsite: January 2, 1990 (Bob’s Birthday) ArtworksArtist’s Bedroom Nonsite: January 2, 1990 (Bob’s Birthday)1989
untitled (expatriate credo; pedestal at Boboli Garden, Florence) Artworksuntitled (expatriate credo; pedestal at Boboli Garden, Florence)2002
untitled (Magic America “Sexy Shop” address and phone number; funerary container at Museo Archeologico Regionale, Palermo) Artworksuntitled (Magic America “Sexy Shop” address and phone number; funerary container at Museo Archeologico Regionale, Palermo)2002
untitled (Tammy and the T-Rex; civic plaque, Varese) Artworksuntitled (Tammy and the T-Rex; civic plaque, Varese)2002
Sub-Techs: The New Post-Digital Sculpture ExhibitionsSub-Techs: The New Post-Digital SculptureApril 3 – May 2, 1998
I Like the Art World and the Art World Likes Me ExhibitionsI Like the Art World and the Art World Likes MeJanuary 14 – March 5, 2011
“Institutional Critique Flair Button” for Le Merle Publications“Institutional Critique Flair Button” for Le Merle2012
I saw a live rat that shall henceforth be named . . . WritingsI saw a live rat that shall henceforth be named . . .2007
Words and a book and a belief that the world is words ExhibitionsWords and a book and a belief that the world is wordsAugust 27 – September 2, 2021
untitled (WORK AT HOME; inscribed fragment at Sant’ Ambrogio Basilico, Milan) Artworksuntitled (WORK AT HOME; inscribed fragment at Sant’ Ambrogio Basilico, Milan)2002
July 17, 1812, To a Very Young Admirer (Ten Years Old) ArtworksJuly 17, 1812, To a Very Young Admirer (Ten Years Old)1988
untitled (Amsterdamned; commemorative slab at Museo Nazionale Romano, Rome) Artworksuntitled (Amsterdamned; commemorative slab at Museo Nazionale Romano, Rome)2002
Dan Graham Tangram (An Artwork Stolen from Marco Bruzzone) ArtworksDan Graham Tangram (An Artwork Stolen from Marco Bruzzone)2007
untitled (LOSER; inscribed building stone at Rome Colosseum) Artworksuntitled (LOSER; inscribed building stone at Rome Colosseum)2001
My Worst Editorial Mistake that I’m Aware of to Date ArtworksMy Worst Editorial Mistake that I’m Aware of to Date2010
untitled (IRS tax help-line phone number in Rome; relief panel at Civico Museo Archeologico, Milan) Artworksuntitled (IRS tax help-line phone number in Rome; relief panel at Civico Museo Archeologico, Milan)2002
August 19, 1817, By Way of Turning Down a Prospective Student ArtworksAugust 19, 1817, By Way of Turning Down a Prospective Student1988
Gravitational Mass Action/Reaction (A Fallacious Illustration of Newton’s Third Law of Motion) ArtworksGravitational Mass Action/Reaction (A Fallacious Illustration of Newton’s Third Law of Motion)1989
Transducer Action/Transaction no. 11 (Limited Supply) ArtworksTransducer Action/Transaction no. 11 (Limited Supply)1986
untitled (Slurpee Inventor Commemorative; wall plaque at Musee Archeologique de Nimes) Artworksuntitled (Slurpee Inventor Commemorative; wall plaque at Musee Archeologique de Nimes)2002
2 Dicks/1 Darrin: York, Sargent, Stevens (Relative Number of Bewitched Episodes) Artworks2 Dicks/1 Darrin: York, Sargent, Stevens (Relative Number of Bewitched Episodes)1989
Summary of an Editorial Intervention to a Curator’s Text Written to Accompany an Exhibition in Marseille ArtworksSummary of an Editorial Intervention to a Curator’s Text Written to Accompany an Exhibition in Marseille2021
Satzzeichen. Szenen der Schrift (Punctuation Marks: Scenes of Writing) PublicationsSatzzeichen. Szenen der Schrift (Punctuation Marks: Scenes of Writing)2017
Scripts for Art: Charles Gute & Christian Jankowski ExhibitionsScripts for Art: Charles Gute & Christian JankowskiSeptember 18 – October 16, 2011
Thirty-Four No Press Authors and One Hundred Twenty-One Random Letters PublicationsThirty-Four No Press Authors and One Hundred Twenty-One Random Letters2011
Scripts for Art: Charles Gute & Christian Jankowski PublicationsScripts for Art: Charles Gute & Christian Jankowski2011
untitled (Hillbilly Commemorative; papal building dedication at Basilica di San Pietro, Vatican City, Rome) Artworksuntitled (Hillbilly Commemorative; papal building dedication at Basilica di San Pietro, Vatican City, Rome)2001
Mission District Eggleston Gives Zero Fucks WritingsMission District Eggleston Gives Zero FucksAugust 17, 2026
Cap’n Crunch Monochrome: Counterclockwise Spiral Beginning at Lower Right-Hand Corner Relative to Placement Within Frame ArtworksCap’n Crunch Monochrome: Counterclockwise Spiral Beginning at Lower Right-Hand Corner Relative to Placement Within Frame1989
untitled (HE WHO HAS LIVED IN OBSCURITY HAS LIVED WELL; funerary relief at Museo Archeologico Nazionale, Bologna) Artworksuntitled (HE WHO HAS LIVED IN OBSCURITY HAS LIVED WELL; funerary relief at Museo Archeologico Nazionale, Bologna)2002
untitled (SPAM; inscribed fragment at Sant’ Ambrogio Basilico, Milan) Artworksuntitled (SPAM; inscribed fragment at Sant’ Ambrogio Basilico, Milan)2002
Response to an unsolicited email from a former student whom I had not heard from in 15 years WritingsResponse to an unsolicited email from a former student whom I had not heard from in 15 yearsNovember 4, 2005
September 24, 1826, To Breuning in the Schonbrunner Garden ArtworksSeptember 24, 1826, To Breuning in the Schonbrunner Garden1988
Letter to a gallerist concerning the reemergence of an old artwork WritingsLetter to a gallerist concerning the reemergence of an old artworkFebruary 20, 2023
I Like Conceptual Art/Conceptual Art Likes Me ExhibitionsI Like Conceptual Art/Conceptual Art Likes MeJanuary 10–February 10, 1990
I Like the Art World and the Artworld Likes Me PublicationsI Like the Art World and the Artworld Likes Me2011
untitled (Friend of the Bear; funerary slab for anti-pope Ursinus, Sacre Grotte Vaticane, Basilica di San Pietro, Rome) Artworksuntitled (Friend of the Bear; funerary slab for anti-pope Ursinus, Sacre Grotte Vaticane, Basilica di San Pietro, Rome)2002
Reported by Karl von Bursy as Part of a Conversation in 1816 ArtworksReported by Karl von Bursy as Part of a Conversation in 18161988
Sentences on Post-Conceptual Decoration WritingsSentences on Post-Conceptual DecorationJanuary 2, 1998
Drucksachennachlese. Charles Gutes Revisions and Queries zur Anmerkung von Bild–Text–Text‑Bildern PublicationsDrucksachennachlese. Charles Gutes Revisions and Queries zur Anmerkung von Bild–Text–Text‑Bildern2013
untitled (FLAUBERT’S IDEA; altar at Civico Museo Archeologico, Milan) Artworksuntitled (FLAUBERT’S IDEA; altar at Civico Museo Archeologico, Milan)2002
untitled (THIS CAN BE SOLD, IT CANNOT BE GIVEN AWAY; altar at Museo Archeologico Nazionale di Tarquinia) Artworksuntitled (THIS CAN BE SOLD, IT CANNOT BE GIVEN AWAY; altar at Museo Archeologico Nazionale di Tarquinia)2002
